Wednesday, 27 July 2016

FÁBIO CARAMURU – CIGARRA

The releases of Tokyo-based flau records span the distance from Japanese music like the constructivist electronica of CRYSTAL and the constant dreamworlds of cuushe, to the music of artists from all over the world, like Taiwanese cello-guitar-violin ensemble Cicada, with many genres represented in between—and never do they disappoint. It's ever the same with a beautiful new piece called 'Cigarra'.

A mix of natural found-sounds and fluid waxing-and-waning piano-playing, 'Cigarra' is the work of Brazilian pianist and composer Fábio Caramuru. Taken from an upcoming collection of pieces in which Caramuru "speaks" to the fauna of his home country, this particular track is a conversation with the ostensibly whining and screeching of cigarra – meaning cicada in Portuguese. Its violent buzzing, though, feels like a lament here, the piano reflecting brightly and empathising with grave and tumbling tones the constant call of this long-living insect.

Like the the cicada, the piano too seems to be calling out, mimicking its song with a rapid refrain, soaring into flighty introspection at times, and falling to its refrain again by the coda, repeating endlessly with a certain sadness alongside the cicada, into the air, where the music goes to whose ears that will hear it.


  • That collection of pieces is an album called EcoMúsica - conversas de um piano com a fauna brasileira - ("conversations between a piano and the fauna of Brazil") and it will be out on flau on 7th September 2016. Alongside the album opener 'Cigarra', other tracks/animals included are 'Uirapuru' (musician wren), 'Anu-branco' (guira cuckoo), and 'Tuim' (a type of forpus parrot). And you may pre-order it from flau here if you like the sound of that.


Fábio Caramuru's Social Media Presence ☟
Facebookofficial siteWikipedia


Saturday, 23 July 2016

NEON BUNNY FEAT MARK REDITO – ROOM314

Mark Redito (the artist formerly known as Spazzkid) features on this latest track from South Korean singer and songmaker, Neon Bunny (real name Lim Yoojin). It's called 'Room314' and it probably has nothing to do with this book entitled The Battle for Room 314: My Year of Hope and Despair in a New York City High School, nor anything to do with this film called Room 314 (might do though). It's a towering sweet romance of a track.

As NB alternates between singing softly in Korean and singing in English the touching refrain 'if you like me now it's fine, why don't you stay here with me? / maybe you will like me tomorrow, why don't you stay here with me?', fluttering chords lead into instrumental sections alive and electric with energy, buzzing synth and aching melody playing in these parts where unbridled emotion bursts in waves. Decorations throughout the track include gentle chimes and wonderfully placed dynamic drum fills – the skittering beat, chopped samples of Yoojin's voice, loving chords that fill the last half a minute of the song – little moments where your heart swells with love for the care and attention that's been placed on making this sound as perfect as possible.

Swaying between brooding calm and floods of frenzied feeling, the track reflects in this sonic twoness the nervous trembling and out-of-body vibes that swirl in your body in anticipation of romance, the wild longing, and the unreal moments that fly timelessly afterwards; being on the edge and then tipping over; kinetic human emotion, physical unending passion.




Neon Bunny's Social Media Presence ☟
FacebookSoundCloudBandcampTwitterWikipedia
Mark Redito's Social Media Presence ☟
FacebookSoundCloudBandcampTwitterInstagramYouTubeWikipedia


Wednesday, 20 July 2016

MOON MASK – GONE (IN A MOMENT)

moon mask is the artist formerly known as Ulzzang Pistol, a change that occurred at the end of Ulzzang's finale, the Zoom Lens-released Waste. The Quezon City, Manila-based newly named moon mask is now prepping to release his debut EP under the new moniker, Irreversible, and in the lead-up has dropped the first taster, 'Gone (in a moment)'.

With pinging delayed guitars and staccato steel-pan synth chords painting a electro-tropical backdrop, a strong retro beat beating bouncy time, the whole thing drips in reverb like a hazy, soft-focus watercolour, painting memories tinged with regret, the combination of groove with the bass and beat, the spacey melancholic instrumental and vocals – positive melancholia? – reflects the bittersweet nature of the lyrics and meaning; a blast of pop as pop should be: catchy and meaningful.

mm spoke a little to me via email about song and the EP. "They're based on romantic pursuits I had long ago, written to be more general and relatable to anyone sharing similar experiences," he explained. The song "focuses on the feeling of getting a connection with a stranger at a certain place and all the thoughts that argue in one's head regarding them making the first move or not."

He went on;

"it's a bit pessimistic since the song is saying that there is only but little time and that the person will be gone eventually and even if one does make a move, relationships do end and someone has to leave."


  • The Irreversible EP will be self-released on... date TBA.
  • Co-production on 'Gone (in a moment)' comes from mm's dad, Jun Gomez; mix and mastering by Jorge Juan Wieneke V (aka musicmaker similar objects)


moon mask's Social Media Presence ☟
FacebookSoundCloudBandcampTwitterTumblr