Have I written about anybody from PC Music here on YES/NO yet? Hmm. Not sure. Not that I remember. So that probably means no. But that is by no means a statement against them. I am quite strapped for time most of the time so I'm not able to write about everything that I like. It's often just what I'm in the mood for on that day; for instance, from the last 3 days I have a list of 30 or so songs, some of which I may never write about.
I sometimes wish I were multiple people – it'd be easier to do things that way. Especially if I could have one avatar for doing particularly boring things like… no actually, every experience should be experienced by me. It's my life, after all.
Anyway, A. G. Cook, London-based producer and the final boss of PC Music, has shared some music with us via Annie Mac's Free Music Mondays (meaning this is a free download too – back of the net). Mr. Cook and his label have gained a ridonkulous amount of attention this year, mainly from withholding information and generally making quite groundbreaking music; the sonic equivalent of shock-and-awe tactics; shocking audiences with "unlistenable" (to some) but expertly produced tracks before awing them with ones that are more legible, more conventional – something that might be like an exclusivity clause to 'weed out' people without open minds.
Maybe? Hmm. This is just a crackpot theory by me, however, and must not be paid attention to.
A. G. Cook's latest offering is called 'What I Mean' and it puts me in mind of a roaring fire inside a warm homely room as winter blusters outside in the cold – an oasis of heat in a frozen world – joyful vocal samples skilfully chopped and placed on a patterned paper-chain of melody, ornamentations above the diamond-clusters of synth, flickering above the neo-groove of the squelchy bass and robust, simple beat. It's also laden with vocal samples, a female ooo-ing and some male, I dunno, words and stuff, all serving to decorate this lightly lilting plasma surge of squeaky clean French-Touch-esque music. It doesn't exactly sound anything like any of his other tracks, and why should it?