Sampling. Love it or hate it, morally and ethically against it or freespiritedly laissez-faire about it all, when it's done well it's as impressive as any outstanding virtuoso performance on any other pre-existing instrument. So there.
As such, it's fitting to introduce In the blue shirt, a musicmaker and sampling-er of supra-decent proportions who is from Kyoto, Japan. Real name Ryo Arimura, this producer is certainly a big deal, or at least that's what I can gather from listening to his recent track 'in and out' over and over again, gluing it to my ears, injecting it into my brain like a syringeful of dance-inducing nanites. ha ha.
I'm currently listening to it in a semi-busy café and this is the kind of atmosphere that 'in and out' not only fits but also exudes itself; the rapid-fire sliced 'n' diced samples – featuring everything from chopped up wibbling vocals and what sounds like dialogue from an anime, to snippets of guitar and string strains in a jostling mélange of sound, creates the feeling of hubbub, the merging voices of a crowd, cut up chatter chatter chitter chatter.
But you add to this ruckus of samples a groovesome bassline, deep and rounded, plus an uptempo unrelenting kick 'n' snappy disco hi-hat combo, jangling percussion for garage-esque syncopation and you get a rainy-night-in-the-city (brake lights glowing, neon signs twinkling, buildings inching like columns of stars in the half-darkness) vibe. Flashing retro dancefloors live in the essence of this dynamic song, moving through different sample clusters and beat patterns – most obviously at the 2:25 mark, sweet pastel-coloured alcohol, sleek dressed chirruping feel-good crowds two-stepping all the way home with this track lodged in their hearts.
- And! Hey! you can buy 'in and out' on 7" which is nice.